And of course with the small TV tower. :-) 
around! 
X-Mas-Baumler, which are made entirely in the stickies, found Mandy . 
course with a small nerve. ;-) LG 
Do not you know that hang around here a dangerous wolf? 
Oh jee, merely pass on! 
How good that you are not alone on the road, but your sisters to come along. 
bag trio for the Christmas market with the charming Little Red Riding Hood retro fabric, for which I am already sore feet because of the discontinued product is. For a trader in Japan, I've become more and find'm always still there. 
given me flew a few birds, a touch of spring, almost just before the winter. 
LG Ute 
beginning Aber ich mit der Empfehlung: Lesen Sie bitte zuerst that Einleitung to 'Rudolf Schock sings Nico Dostal' ! Then you know exactly where you need to classify the Viennese operetta composer Edmund Eysler in the operetta history
The first, large - ' GOLDEN' - Periodic Table of the Viennese operetta goes to Richard He 
transitions 'Opera Ball' (1898) and Carl Ziehrer 'vagrants' (1899) to the end. But then a few days before Christmas 1902 Franz Lehár 'tinkers' with remarkable success Premiere, which beginning in 1903 with (almost) as much Applause 'brother Straubinger' is listed for the first time, an operetta by Edmund Eysler , "the second man in the new season to bloom where the operetta happiness seems.
In 1905 Lehar's 'Merry Widow' ready for the stage. After some hesitation, she is the second major - ' SILVER' - Periodic Table of the Viennese operetta marked. Together with Eysler Lehár and it is particularly the imaginative composer Leo Fall (1873-1925), Oscar Straus (1870-1954), Oskar Nedbal (1874-1930) and Emmerich Kálmán (1882-1953), trying to stab with their operettas, the quality of the works of their 'golden' predecessor 
.
Eysler Edmund (1874-1949) (not to be confused with Kurt Weill's art brother, 'proletarian stage and film composers' Hanns Eisler )
father Eisler (yes, with i and not y) is a successful businessman, but in respect to his family rather distant. His wife is Hungarian, however, a loving mother and artistically gifted. is to be expected, sic 
h the young Edmund feels strongly related to them.
in 188 Edmunds makes a father bankruptcy. The family is forced to all possessions sell it, but it is possible Edmunds mother to save the piano. When Edmund is 15 years old, he met the only one year older Leo Fall (photo left). Together, they play piano duets, they play music in quartets, and visit the conservatory. Edmund wants to write the opera Eysler 'The Witch mirror' , which look but not one theater director. Music from the fact he used in his first major operetta: 'brother Straubinger' . In the 1902/1903 season makes 'brother Straubinger' in Vienna premiere 
Alexander Girardi (1850-1918 - photo) , the leading theater personalities of those years in the title role. By Girardi, the operetta by extremely well received, and from that moment on Eysler writes his name with a sweeping y. composed
In the following decades Eysler however about 60 operettas. He lives happily and nonchalantly through the day, puts the accent on 'wine, women and song' and is fond of horses. During the twenties he gets into financial difficulties, but the happiness he laughs once again, thanks to a fine if he libretto turn right to succeed, and that the typical Viennese popular operetta: 'The golden master' (1927). After 1934, the operettas of the Jewish Edmund Eysler are not played, and he has to - hide - protected by friends and shielded from public life. Shortly after the Second World War, Edmund Eysler is rehabilitated.
must be said that nowadays the music Eysler is only performed sporadically. 'The golden master' still enjoys a certain popularity, and from other operettas, have some songs in the course of time as it becomes independent, that they have become the Viennese folk songs. From the Operetta 'Protect Liesl' (1905) was the emotional with the extremely 'Mutterllied' from which 'Laughing Husband' (1913) with the more or less worldly-wise songs (for me, no schmaltzy) ' Fine, fine we like the wine ' and from ' brother Straubinger ' with the most important in terms of dramatic moment of this operetta ' kissing is not sin . Eysler music filled 
he waltz is "sentimental and savory freshness has" (Bernard Grun, The light entertainment, Cultural history of the operetta - in the Albert Langen Müller Verlag). It is intended sentimental, but due to the open-hearted, and therefore a pricking sensation performers atmosphere of the first thirty years of the last century. Eysler libretto election was generally too little critical, and he tended to repeat himself musically here and there.
Rudolf Schock sings Edmund Eysler
addition to fragments from the 'golden master' , 'brother Straubinger' and 'Laughing Husband' with occupation in Vienna Others Gerda Schreyer and Waldemar Kmentt are of course the heritage listed Eysler the Vienna-'Lebenslieder 'on LP and CD to have. I heard Richard Tauber seductive in 'Fine, fine us, the wine tastes' , Waldemar Kmentt with melting voice in ' kissing is not sin and Erich Kunz in 'Mutterllied' that from him in Viennese dialect, and with Schrammel accompaniment is sung touching.
Rudolf Schock takes on 20 February 1969 with the Berlin Symphony Orchestra conducted by Robert Stolz 'Fine, fine we like the wine ... and also love' 
on ( 'Gruss an Wien' Disc LP € 79 237 IU) .
April 1977, he sings with the same orchestra, but now under Fried Walter , 'kissing is not sin with a beautiful child' uit 'brother Straubinger' (€ Disc LP Quadro SQ 28 709 IU) .
FIG 'brother Straubinger' appeared in 1820 on a song from the Bavarian town of Straubing. The occasional poet is a student-doctor Carl Theodor Müller and his songs is called 'God greet you, Brother Straubinger'. This greeting is a craft and journeymen addressed, which is almost a century later, the hero of the new operetta Eysler PhD. As for the plot of the operetta, 
I limit myself to the context of the song 'kissing is not sin .
Straubinger versa - in search of work - back in the hometown, even though the documents were stolen from him. Coincidentally (!) He has the backpack still probably the pass of the great-grandfather, who would now have been 114. Straubinger determined masked a job and wants to be a very old soldier with a very special, but valid ID. In this outfit, he meets the spirited Oculi, which he recognizes as his former lover, Marie. The former love lives so hard again that he wants to make her on the spot to marry him. But how could a very old man of 114 years, something like thread? Straubing is a knowing head: he sings in his role as a sprightly old man, the song that he has the Marie taught in the past ever: 'kissing is not sin . Nevertheless, he is in perhaps the outbreak of Eysler as emo-intentioned second Verse known about clear who stand before her, and what they want. Oculi of course immediately recognize the former Straubinger lovers across the disguise through giving - to the horror of bystanders - he word "yes 
.
'Fine, fine we like the wine' Rudolf Schock interpreted entirely as a Viennese folk song and seduction as much as Richard Tauber. The song about the wine, which - unlike love - even more heated when a / a the body "older, gets a bit colder" is on the here above LP 'Gruss an Wien' from the year 1969. Rudolf Schock sings and accompanies Robert Stolz - next Eysler homage to the wine - Songs of Arnold, Benatzky (see also: 'Rudolf Schock sings Benatzky' ) Kreuder, Sieczynski, pride, and Strecker Ziehrer . This Viennese songs need urgent a reincarnation on CD (Sony / € Disc, Attention please !) : shock and pride are in top form, and the recordings of an intimacy that is right for the heart-rejoicing songs.
Edmund Eysler in the old 2010 and Leo Fa 
ll in the new year 2011!
I wish the readers of my blog blessed Christmas season and a happy New Year! February 2011 I hope the text 'Rudolf Schock sings Leo Fall' to publish . Franz Lehár, Oscar Straus, and Leo Fall - considered the most important representatives of the Silver Viennese operetta - with the slightly later Emmerich Kálmán.
Krijn de Lege, 05/12/2010
Which I've always been at a Friend, admired and at the fabric market just so still get hold of the last meter, then the ball was empty. 
Rudolf Schock sings Edmund Eysler 
ère, beginning 1903 with (almost) equal success followed by "Bruder Straubinger ' of " the second new man of the season, for whom the operetta luck seems to thrive ": Edmund Eysler. 
Straubinger ' first performed in Vienna with Alexander Girardi (1850-1819 18 - photos ) , theater personality of the year, in the title role. Partly because of the operetta Girardi gets a very enthusiastic reception, and from then Edmund EYsler zwieriger his name with a y. 
properly and as such included in the Viennese heritage. The operetta 'Schütz Liesl " (1905), this happened to the highly sensitive ' Mutterllied ' from Der laughing Ehemann" (1913) with the torch (I do not see as a "tearjerker") 'Fein fein schmeckt uns der Wein " and " Bruder Straubinger' the most important moment in dramatic terms of the operetta: 'kisses ist keine Sund' . Eysler's music full of 'Walzerseligkeit "is cozy and warm in tone, even sentimental, but in keeping with the bold and so exciting atmosphere of the first thirty years of the last century. Eysler's choice of text books was generally not critical enough and he had a tendency, sometimes repeating themselves musically. 
W ien' Eurodisc LP 79 237 IU) . 
ad, but is robbed of his papers. "Coincidentally" he has in his backpack still the passport of his grandfather, who already 114 years old would have been. Straubinger definitely wants a job and disguises himself as an ancient army veteran in possession of a valid ID. In that outfit he meets the spirited oculi, which he recognizes his former girlfriend Marie. His first love is playing again with the result that her offhand would ask to marry. But how can a very old man from the 114? Straubinger is smart: he sings in his role as the spry old song that he Marie have ever learned: 'kisses ist keine Sund " . Moreover, he may well be as emotional outburst provided by Eysler second verse clearly known, who for her and what someone wants. Oculi suddenly recognizes her boyfriend Straubinger right through his disguise and gives him back - to the astonishment of onlookers, her married immediately. 
The file is a super nice stick Urban Threads . 
