How To Make An Extendable Bo Staff

Always the same

When I would not have been quite last year verpeilt, this year the same game.
autumn costume for the little one at the last minute. So I quickly pulled a universal dress from the closet (from the dispatch with the brightly colored children's things j. ..- o) and a magic tree on it. Thanks Fransenappli from the forest singing series
:-)



Then a small order: desired was a mini bag for a little girl, here you are in playful nostalgia.


morning then again in Potsdam and the fabric market, hopefully golden autumn weather! ;-) LG
Ute

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RUDOLF SCHOCK SINGS HEINZ ERHARDT

Rudolf Schock Benno Kusche 'Noch' ne opera " H. Erhardt (Photo: Image + Wireless 1979)
Rudolf Schock sings in an opera parody Heinz Erhardt

But I'm beginning to Jacques Offenbach (1819-1880) on with the music genre 'operetta' in 1858, a true triumph begins (see also 'RS sings Nico Dostal' ).

Offenbach's 'operetta' 'Orpheus in the Underworld (Orpheus in the Underworld)' is the very first feature-length music drama, the 'shameless' parodied and ridiculed. The pomposity and Selstgefälligkeit a fairly closed circle die-hard 'art experts' - such as the highly regarded at the time of Offenbach's operas of Christoph Willibald von Gluck, and Giacomo Meyerbeer around - are laid wide open, unchanging gods and heroes from classical antiquity, which should serve in the theaters as a model of humanity, a variety of human weaknesses attributed prince d un their royal household increased caricature to Jae mmerlichen, but also infamous riders. Offenbach's musical creativity and sharp eye on human behavior invented the operetta 'AT HER BEST'!

Linking Jacques Offenbach (Photo lorgnette) and Heinz Erhardt is - seems' s - an impossible step. But I still dare to go out Erhardt 'Ten Penny Opera' from the Years 1948 (1978 to 'Noch' ne Oper 'fashioned ) insert in the Offenbach tradition. So I have asked you to consider 'yet' nen composers' , and the name

Heinz Erhardt (1909-1979)!

read online there are all sorts of Heinz Erhardt, hear and see. For me, so no need to go into detail on all his words and deeds. In addition, it sends that I behave modestly: German to their versatile Lieblingskomeriker without doubt much better estimate than a Dutchman can. Although I am amazed by a story in Westermann's 'cultural diary from 1900 to today' (Brunswick 1984 - 1st edition): "And if, during the early eighties, the roving eye of the nostalgic transfiguration itself kidney-shaped and egg-headed Veteran those time, Heinz Erhardt, rediscovered, then behind it probably also the longing for an era that still was more successful in displacing the anxieties than ours "(Rainer Wagner's essay" Against the solidification). It is clear in the sequel to this essay, why look ahead Rainer Wagner wants: a nostalgic "flight from reality is not without pitfalls. But testifies It also should not of "freezing" if a look ahead (r) only, and never look back in amazement and admiration? For example, on a phenomenon such as Heinz Erhardt?

Erhardt was a thousand Sasa: comedians, comedian / actor, poet / writer, entertainer and musician / composer. He played in many films, and was as emcee / stage actors / comedians (see on 'YouTube' Others 'The Storm' from the year 1959) especially in the five-and sixties excessively popular. His humor springs from word games, original ideas, foolish Exaggeration, surprising contradictions and concisely spells out precisely formulated life.

(By Julia Denuell painted Affiche 100th birthday Erhardt)

after a stroke (1971) Heinz Erhardt can no longer speak and write, well read and hear.

In the years 1978 and 1979 he prepared with his son Gero (born 1942) and the composer Peter Thomas a TV version of "Ten Penny Opera 'before. As a director is the experienced Claus Peter Witt (born in 1942) tightened.

On 21 February 1979 - Erhardt was just on 20 February 70 years old now - can radiate radio ZDF from the opera. A few months later dies Heinz Erhardt.

'Noch' ne Oper '

(text: Heinz Erhardt / Music: Heinz Erhardt and Peter Thomas)

in foreground from left to right Schramm, Kusche, shock (Photo: image + Funk 1979)

'Noch' ne Oper ' is an opera parody, by Heinz Erhardt "a cabaret opera" called their music non-stop and blithely quotes from operas, operettas and folk melodies. It is in itself an attraction to try title and composer of the well-known melodies that glow briefly in all sorts of instrumental transitions, á la minute to guess. Wagner 'Flying Dutchman' and Verdi's 'Aida' pass, Beethoven 'All men are brothers' sounds, and then there are also including Schubert, Von Weber, Lortzing, Lehár, Johann Strauss Jr., Mozart and the folk song 'must because i ' to the musical Grabbelkasten (new German word - kdl) further enrich.

Even the plot is reminiscent of known music dramas: Clothilde, Ritter Lloyd's wife, throws like Puccini Tosca of the castle walls, and in the two bloody duels plus execution in the end we see the stereotype of many violent opera finale again. The story is simple: Lloyd and vultures are friendly view robber barons. Clothilde is delighted with vulture eye, and this delight is bilateral. The couple loves each other in private, but this does not remain hidden, and four people to die. Heinz Erhardt is in his element: the opera is pure comic exaggeration and paradoxical nonsense. Or, these paradoxes have just good sense? In the epilogue of the opera spoof finds the audience: . "You make 'serious matters' not happy by treating them seriously only 'happy things' are worth to be treated seriously." I get the impression that the comedian Heinz Erhardt is grimly amused about the deadly seriousness, which is not often spoken of the ivory tower of both artists as critics of literature, visual arts and music and written. Erhardt also allows for two breaks in the opera theater personality Loriot (photo) occur of the 'socially critical depth together with the unique and historical importance of the Erhardt-art' explained . Somewhere else in the text it can be said Loriot: "There was Johann Sebastian Bach in Leipzig, Wolfgang Amadeus Mozart in Vienna, Richard Wagner in Bayreuth, and there was Heinz Erhardt ZDF". The contrast between classic operatic style and silly scenes and texts makes a lot of fun: in the first act draws vultures look fierce and solemnly on something like a m rocking horse in the castle. Host Lloyd offers him a cup of wine, but vultures view repeated monotonous and endless falsetto that he could so early in the morning really can not tolerate alcohol. Clothilde sings repeatedly in the same act in their 'big aria, "they" took a bath, but the water was too cold ", and a special nod goes from the' brilliant 'composer " with brilliant ease " composed, 'greater than greatest love duet' Clothilde Vulture View (Act 2) from: "Because you love me, I'm so happy because you love me, I'm so glad" . The year is 1979, and Rudolf Schock and Margit Schramm present themselves to the television audience one more time - emphasizes ironic (!) - as the beloved 'operetta dream couple of the sixties' .

execution and casting

Erhardt an hour permanent TV Opera can - after a few glasses of wine - divided 'on scientifically responsible manner' as follows :

1) Preparations for the opera

2) The first act of the opera

3) Loriot on the socially critical importance of this opera

4) Second act of the opera

5) Loriot about this opera in historical perspective

6th) The Gone with the Wind, worldwide reception of the opera

7) third act of the opera

8) Epilogue: "Only happy things are worth serious to be treated"

The actual act of 'Noch' ne Oper ' lasts from 1979, despite the pompous announcement' three act 'not much longer than their original form ' The Ten Penny Opera ', has only one act. This title refers both playful and modest to the 'Threepenny Opera' (1928) by Kurt Weill / Bertolt Brecht. The double life of TV production produced primarily by the addition of some 'Making of' scenes, which get the "very artistic" people in the TV film, the opportunity to wear their vanity to review on .

of the old, half an hour lasting radio version brought out 'Berlin Classics' in their Heinz Erhardt-Special Edition CD, which the Wagner bass Gustav Neidlinger the Lloyd and the (mainly) singing operetta tenor Rupert Glawitsch the vulture eye.

The TV movie was until now (still) never published professionally on DVD or CD, but is probably in the archives of 'German Film' (Museum of Film and Television) in Berlin. As far as I know it must be possible, looking at him there.

The cast of 'Noch' ne Oper ' ZDF invited in 1978, a wide selection of then-known personalities from the German speaking world of film, theater, television (broadcast) and Music Reviews Heinz Erhardt who do not speak so since 1971, is regarded as 'Mysterious mute man in a city park' to , but with Using old radio recordings now and still listen to . His former role of the narrator is taken in large part by the cartoonist, writer, film director and television writer Loriot ( Vicco von Bülow, born 1923) . This is - as I mentioned - as a 'socially committed scientists' to 'expert comments' to the opera.

The very extraverted bass-baritone Benno Kusche (1916-2010) sings and plays effectively a pompous knight Lloyd (In one of the next articles I will certainly return to Benno Kusche). Kusche and shock were versatile singer, who met regularly in opera and operetta: including the EMI Studios Richard Wagner 'Parsifal' (Berlin 1956) and € Disc Studio for 'Gypsy Baron' of Johann Strauss Jr. (Berlin 1964). Operetta diva Margit Schramm (1935-1996 , see 'RS sings Nico Dostal' ) is a calculating, cold Clothilde that - only the 'love duet' with Rudolf Schock apart - emphatically not to their past, operetta, and reminds the grotesque representation of the 'Knight of the Sorrowful' vulture eye prepares Rudolf Schock large e enthusiasm.

to 'Making-of' scenes and a flashback (with Heinz Erhardt with 'man in the park' and Chris 'games with records' - Howland as a 'man who tried in vain to indemnify the lawns of paper waste' - Photo: photo + radio are 1979) - sometimes very short - all other to see employees: Film actor Gert 'Goldfinger' Fröbe , Cornelia Froboess (photo) that emerged from youth idol to acclaimed actress, actor Harald Juhnke , pianist / bandleader Paul Kuhn (he is in the opera of 'conductor'), actor and Fernseh-Show/Quizmaster Hans-Joachim Kulenkampff , singer Evelyn Künneke (daughter of Edward K0mponisten Künneke) the actresses Inge Meysel and and Liselotte Pulver - Golf Course - Film and Stage legend Heinz Ruehmann .

Gert Frobe, Heinz Ruehmann

Finally: The real conductor is Emmerich Smola (B. 1922 ). He leads the Radio Symphony Orchestra of the SWF by the score of Offenbach-HEINZ ERHARDT disciple to such a serious manner that it can be considered as completely determined in harmony with the joyous, musical conception of the composer! Rudolf Schock sings

Edmund Eysler

:

Krijn de Lay, 16.11.2010 * next time. After Eysler: Rudolf Schock sings * Leo Fall

(NB: 'Rudolf Schock sings Hans Ebert / Hans Bethge' returns in mid-December 2010!)

Finding Nhs Birth Registration Number

New market, new luck

I am an optimistic person and I think frankly the weather forecast for tomorrow which promises allegedly sun. And, although today only rain, fog, gray weather was laundry.
But think positive: it is beautiful, it is beautiful, it will be nice .........

Anyway, there is tomorrow at the NOWKOELLN Flow Market on Maybachufer finally the little Flitzpiepen collection for 2011:





bis denne
LG Ute

30-day-trial.blogsport.se

RUDOLF SCHOCK SINGS HANS EBERT / HANS RUDOLF SCHOCK BETHGE

mural in Dun Huang from the period of the Tang Dynasty

Rudolf sings shock
FIVE CHINESE SINGING
Music: Hans Ebert
Text: Hans Bethge

Hans Ebert (1889-1952)
About Hans Ebert may an anno 2010 are almost no more information. He is well known today in a remarkably long series of specific composers, in the 1st Part of the last century German-language text editions of old Chinese poems set to music. Photos by Hans Ebert missing.

Hans Bethge (1876-1946)

The poet and writer Hans Bethge's escape from oblivion, although it appears that in literary circling his artistic skill was quite controversial, and probably still is, situated in the Far East Bethge Poems are adaptations of existing translations from Chinese. Bethge could not speak Chinese. He was playing - in the eyes of literary criticism - the big man with "poetry from second-hand" (Adorno). Positive statements from renowned writers such as Rainer Maria Rilke, Stefan Zweig and Hermann Hesse could not change that. I suspect Bethge let themselves properly with the equally controversial literary Karl May (1842-1912) compare , the creators of Old Shatterhand, Winnetou, and Kara Ben Nemsi, playing his trip novels primarily in North America and the Middle East.

It is however noteworthy that librettist Hans Bethge was in the musical world far and wide admired for the delicacy of his Neudichtungen of (among others) Chinese poetry and praised. The arrangements proved namely as an exotic inspiration to all kinds of compost ion of large and small (re) r composer: Gustav Mahler 'Song of the Earth' , which cited a large extent, Bethge's text would qualify for a most impressive example. But Richard Strauss, Arnold Schoenberg, Gottfried von Einem, Ernst Krenek and Anton Webern used Bethge's poems, and operetta composer Franz Lehár suspended Bethge's poetry collection order for his 'Land of Smiles' the poem 'pear blossoms' into intimate 'a wreath of flowers Apel' .

a 2300 year old Chinese e poetry

The Chinese verse by Hans Bethge edited, are from the period of Tang Dynasty , the almost uninterruptedly 618-907 BC lasted, and is considered a high point in Chinese culture. During the Tang Dynasty witnessed a tremendous flowering of the arts, and one of its legendary representative of the poet Li Bai was (also Li-Po or called Li-Tai-Po - see drawing), who lived from 701 762 BC . This Li Bai wrote many poems that were composed of a number of contemporary poetry with Hans Bethge fall into their hands. This sat at a large Neudichtung, said he especially good luck with his Chinese poems in the cycle had 'The Chinese Flute' , in 1920 - to other e poetry complements - as 'peach flowers from China' was re-published.

Rudolf Schock sings Hans Ebert
in 2005 brought the Swiss CD label for relief Rudolf shocks 90th A birthday - which relates to program, excellent sound quality and features-out double-CD, as I said in the past three years, many times. Relief that the cassette to the track 'Rudolf Schock, Germany's great lyric tenor' (relief CR 3001) mitgibt leads the listener through shocks very wide repertoire (period 1946-1953) and inserts the CD a few fragments from Handel 'Messiah' , Bruckner 'Great Mass' and 'Five Chinese Songs' by Ebert / Bethge added. The issue at that time was in 2005 eight new releases, among which the Chinese songs.
(NB: The Chinese songs are now also at a gala cassette ('chamber singer Rudolf Shock GL 100 672) before the year 2009 But are there among many other art songs (by Schubert, Schumann. etc.), the sound quality remains strongly behind the original Electrola / EMI recordings.)

I had this book 'Rudolf Schock sings Hans Bethge' called, I had to mention determined, shock have shown countless times Lehár 'a wreath of apple blossoms' , of which there are on record and / or CD alone five shots. And I certainly would have recalled Rudolf Schock and the contralto Margaret Klose sang under the baton of Hans Schmidt-Isser Mahler's 'Song of the Earth' (Hamburg, 1948). But I have to 'prima' assume 'la musica' and Hans Ebert is responsible only for the beautiful music of 'Five Chinese Songs' .

The 'Five Chinese Songs' (idiosyncratic) summarized

Track 1 ("In F rühlingsgarten ...', the musical (pleasantly) by Richard Strauss -influence is sings about the happy people (Li-Bai - see drawing) in the spring garden, has made him a poet, if the flowers in the garden have long since passed, they will still bloom in the soul of the poet ... .

Track 2 ('Seven trotting horse ...') outlines by brief, but descriptive keywords, and accents of Chinese emphasizes seemingly composed music, around seven trotting horses at an inn, where seven writing, old men and "an old hag" are (it is thus written (?), so I beg your pardon - kdl). But fortunately - because spring is here, and the wine tastes good - there are seven young girls, and the "connect an n. .. come in".

Track 3 ('Once out of my grave ...'): will pop out of my grave once countless, red tulips. For I feel a hot burning desire for the beloved. A large fire burns in me. It must therefore probably be so - even if it is a miracle - that I will one day as a dead person no matter how glowing (red) ...

song 4 ('The young people love ...') : The youth loves colored robes, just as the spring gardens in their magnificent colors. "But woe: Who - he was so young - emigrated to foreign countries with a " black mourning clothes ... "

song 5 ('The Peach blossoms flutter flutter ...'): The peach blossoms in the spring air, trees reflected in the stream. But the scent of the plum trees I find "flabby and tired." Verses "hard slide from my lips "..." Come on, sweet night, choking my misery" and let me sleep in your "much loved" arms ...

The recordings

were May 1951, made a year before Hans Ebert's death in the Berlin RIAS (Radio in the American sector). Rudolf Schock is on the piano by Herbert Heinemann accompanied, in the fifties, was also worked as a concert pianist. There he LP recordings with the orchestra Harry Hermann and the North West German Philharmonic Orchestra under Wilhelm shy. He plays with Schüchter Gershwin 'Rhapsody in Blue' s Addinsell 'Warsaw Concerto' . By Herbert Heinemann is surprisingly little available.

"Germany's Rudolf Schock" - he was one of those days 35 years - in 1951 vocal 'at his very, very best': shock melting and singing is very smooth, He and the Far East with songs from all my heart literally . It is the sound engineers of relief succeeded in that - as I understand - to restore rather poor sound of the old Rundfunkaufnamen so that shine and natural shocks voice come across to advantage.

Krijn de Lege, 10/14/2010

Vision Looks Like A Kaleidoscope

zingt HANS EBERT / HANS RUDOLF SCHOCK BETHGE

Muurschildering in Dun Huang uit de Tang dynasty period van de


Rudolf Schock sings
FÜNF CHINESE ICAL Gesang
Music: Hans Ebert
Text: Hans Bethge

Hans Ebert (1889-1952)
About the composer Hans Ebert in 2010 is hardly to find information. He is mentioned only in a remarkably long line of composers, in the first half of the 20th century German text adaptations of ancient Chinese poems to music have put. Photos of Ebert missing.

H ans Bethge (1876-1946)

The poet and writer Hans Bethge to escape oblivion, have shown that in literary circles artistry was quite controversial and probably still is, Bethge's located in the Far East poems are adaptations of existing translations from Chinese. Bethge did not speak Chinese and play - in the eyes of literary criticism - with good weather "used poetry" (Adorno). Positive reactions from renowned writers like Rainer Maria Rilke, Stefan Zweig and Hermann Hesse could change nothing. I suspect that there is a nice comparison to the equally controversial Karl May (1842-1912), creator of Old Shatterhand, Winnetou, and Kara Ben Nemsi, whose novels mainly travel in North America and the Middle East playback.

Remarkably, however, that the lyricist Hans Bethge MUSICAL world widely admired and praised for the sensitivity of his "Herta types" of (among others) Chinese poetry. They proved an inspiration for all sorts of compositions of large and small (er) composers: Gustav Mahler s "Lied von der Erde" , largely Bethge's text follows, it is the most impressive. But Richard Strauss, Arnold Schoenberg, Gottfried von Einem, Ernst Krenek and Anton Webern took advantage of Bethge's poems and operetta composer Franz Lehár put out Bethge's poetry collection for his "Land of Smiles" the poem "Birnbaumblüten ' in the intimate Von Apfelblüten einen Kranz" .

E and 2300 years old Chinese poetry

The Chinese verses that Hans Bethge worked, date from the period of the Tang Dynasty which almost continually lasted from 618 to 907 BC and is seen as a highlight in the Chinese culture. During this dynasty experienced the arts flourished, and one of its legendary representatives was the poet Li Bai (also Li-Po or Li-Tai-Po called - see drawing ), who lived from 701-762 BC. This Li Bai wrote many poems with poetry a number of contemporaries were in the hands of Hans Bethge. This began an extensive "re-translation", which he was largely very successful with the information it collects Chinese poetry in its cycle "Those machines symbolic Flotte ', in 1920, supplemented by other poetry, again came under the title 'Pfirsichblüten aus China (Peach Blossoms from China). For the Dutch readers, it is interesting to note that the Dutch writer Jacob January Slauerhoff (1898-1936) dealing with East Asian poetry occupied.
Rudolf Schock sings Hans Ebert
In 2005, the Swiss label Relief due Schock's 90th birthday one - both in form, content and sound quality - superb double CD will appear, which in the past three years I have often referred. Relief, that the cassette entitled 'Rudolf Schock, Germany's great lyric tenor (Relief CR 3001) resists, leads the listener through Schock's very wide operatic repertoire (period 1946-1953) and adds: fragments Handel's "Messiah" , Bruckner's 'Grosse Messe' and 'Fünf Gesänge Chinesische Tunisian' of Ebert / Bethge . The publication in 2005 had eight never released recordings, including those of Chinese songs.
(Note: The Chinese songs are now also at a Gala cassette (Kammersänger Rudolf Schock "GL 100672) from 2009. But there are among many other classic songs (Schubert , Schumann, etc.), the sound quality far behind that of the original Electrola / EMI recording).

Would there above my text 'Rudolf Schock sings Hans Bethge' have been, I absolutely told countless times that Schock's Lehár Von Apfelblüten einen Kranz " sang, which on record and / or CD alone five shots there. And then of course I had to point out that Rudolf Schock and alt Margarete Klose under conductor Hans Schmidt-Isserstedt Mahler's "Lied von der Erde ' sung (Hamburg, 1948). But I'm simply out of "prima la musica" Hans Ebert and the composer of the music of the "Five Chinese Songs' .

The 'Fünf Gesänge Chinesische Tunisian' boldly summarized :

Song 1 ("Im Garten Frühlings ...'), that musical (pleasant) under the influence of Richard Strauss state, the soul sings happy man (Li Bai - see diagram) in the spring garden, making him a poet has created. When the flowers in the garden are long gone, they are still in the soul of the poet continue to flourish ...

Song 2 ('Sieben Grey Traben ...') short sketches with keywords in an emphatic accents of Chinese style music seven horses trotting around an inn (?), In which seven writing, old men and a " dirty old woman" are (It's so, so please forgive me - kdl). Fortunately - for it is spring again and the wine tastes good - there are also seven young girls and "that go inside ... go inside ..."

Song 3 ('Einst aus meinem Grabe ...'): day will come out of my grave countless red tulips grow and prosper. That is because I have a blazing love for her feel. It blazes a big fire in me. So it must be so - though it is a miracle - that if I am dead, just as (red) glow (love end), and during my life ...

Song 4 ("Die jungen Leute lieben ...'): The youth holds as much as the gardens of colorful clothing in the spring, located in beautiful colors wrap. But woe to the person - even though he is still so young - who wanders through foreign countries: he wears a black mourning dress ...

Song 5 ("That Pfirsichblüten flattern ...''): move the peach blossoms in the spring air, trees are reflected in the brook, the scent of plum trees reach me, but he finds a Dead tired man: the verses slowly flowing from my lips. I long for the sweet night to me - asleep in her loving arms - to forget all my misery ...

The recordings were
May 1951, one year for Hans Ebert's death, the Berlin RIAS (Rundfunk im Sektor Americanization chen) made. Rudolf Schock is on the piano by Herbert Heinemann , in the fifties such as a concert pianist was. There are his recordings with the orchestra and Harry Hermann Nordwestdeutsche Philharmonic under Wilhelm Schuchter the Rhapsody in Blue (Gershwin) and the Warsaw Concerto (Addinsell). There is also about Herbert Heinemann hard to find.

The 35-year-old Rudolf Schock in 1951 at his vocal peak: Schock's singing is very melodious and smooth and he literally carries the songs with heart and soul. The sound engineers Relief have managed it - my understanding - rather poor sound image of the old radio recordings as to restore that beauty and naturalness of Schock's voice full justice to.

Krijn de Blank, October 14, 2010

Reuseable Compressed Gas Duster

Humphrey!

The little one here seems to stylish fashion victim to develop grad age 2 to discuss We question the dressing room every morning. And what will attract Mademoiselle NOT know them very well.
The Great I put out today (7) clothes for the day, he attracts comment. Not so the little one. * Eye roll *
And it can happen also indicate that nuts with their heart and passion for what is and what tailors daughter: she refuses to wear it.


Tunic Hannah "of color mix with a birdie from the" forest chirping.

Humphrey!
And now, for nothing, and sewn by the ungrateful child is rejected? Something stupid. I also have no

living room more, has somehow turned into a yard, I'm not even notice. Only now, can walk no more.


's amazing how long the rickety structures are yet to stay although a little one tappsiges mitmischte Mittenmang. ;-)

LG and a great week
Ute