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RUDOLF SCHOCK RUDOLF SCHOCK

A ntonin Dvorák 1841-1904

Rudolf Schock singt Leos Janacek, Bedrich Smetana, Antonin Dvorak und Oskar Nedbal.

Tschechische composers gehört the musical world of Rudolf Schock on, and the performance of a Czech opera marks the beginning of his versatile and long-time career record. Electrola / HMV-Pr oduzent Walter Legge made - after a tip - April 1946 specifically a detour via Hannover to the 30-year old Rudolf Schock as 'Hans (Jenik)' in 'Prodoná Nevesta (The Bartered Bride) ' of Bedrich Smetana hear (1824-1884 ze foto ) . Immediately after the performance of its mandated Legge Electrola staff, to get to the location (see 'RS sings Bizet' ). Both on Emi (record: 1955) and on € disc (recording: 1963) are CDs of highlights from the 'Bartered Bride' with Rudolf Schock available. In due time I hope to come back in detail to Smetana and his beleaguered 'bride' .

Vo n Leos Janacek (1854-1928) sang Rudolf Schock in 1938 on 'State Theater Braunschweig' the role of 'Jaca Klemen' , the violent lover of 'Jenufa (Její pastorkyna: Your foster child)'. my knowledge there are no recordings of this opera with shock.

In 1966, Rudolf Schock joined as Boleslaw Baranski ('Bolo') in the inclusion of a short version of the operetta 'Polská Krev (Polish Blood)' by Oskar Nedbal (1874-1930 ) on. For mysterious reasons, or because you had the 'Poland blood' may simply be overlooked, published € disc recording to CD. Only the 'Hamburger Archive for singing ' recently produced their own CD copies of the ' Polenblut '-LP, which can be ordered from the archive. Oskar Nedbal was a music student of Antonin Dvorak, with whom he remained a lifetime friend. Also, I will come back to him in the future like for 'Polenblut' is too interesting to be overlooked again.

Antonin DVORAK (1841-1904)

grows, the small Antonin - surrounded by butchers - in a hostel on the Vltava river: the grandfather's butcher, the father is Fleischer, and Antonin and The four brothers are also Fleischer: "As the only all composers, he was able to slaughter a cow, to kill and to make the meat fillets and sausage (Uwe Kraemer - Philips Classic Productions, 1993). From the village schoolmaster (so no teacher deserves a statue?) He learns to play the violin, and soon he strokes funny straight on, if there is dancing in the family inn. Antonin perfected himself in the music that makes sure - in his officially bilingual, speaking to predominantly native Bohemia Czech - that he learns to speak better German, and moved to Prague to make a professional music education. He composed, is an organist, is (that even the young Nedbal) music lessons, but earns enough money to pay for his living, and the coveted piano to buy. In entertainment theaters chapels and he gives himself with odd jobs a little more financial flexibility. But then - he is 34 years old - Antonin Dvorak is a music competition Johannes Brahms discovered (congenial) Komponiertalent. Commissions, and Dirigiereinladungen pour the money in on time. Nine years later, Dvorak starts at a first concert tour of England. The success is so great that would follow over eight more trips to England. But avorufen between Br through remains Antonin Dvorak normal "A simple farmer from Bohemia" (Bruno Gousset), which is like at home, with friends in the pub a round of playing cards, breeding pigeons, and hell-bent on everything related to railways and their schedules to do.

in 1891 reached Dvorák the status of a celebrity in the 'Old World', and in 1892 he goes - by invitation - with the whole family including holding remember the house in the 'New' to administrative tasks exempted head of the newly formed New York Conservatory to be. In America, Dvorak celebrates triumphs. He leaves, however, his flat only to fulfill professional responsibilities. In the evening out of life - even in the musical - we see him rarely. For Dvorák alone among the family circle, ocean liners, which he has now become much more interesting than locomotives, and the music. In America, he created his ninth and last symphony ( 'From the New World' Op. 1995) and a cycle of 8 'Humoresque' (Op. 101) whose seventh (see below) anywhere in many ways has become known.

Rudolf Schock sings Antonin Dvorak

Antonin Dvorak wrote about 10 operas: the first 1870 ( 'Alfred' ), the final 1902/1903 ( 'Armida' ). Thereof - has been by far the largest part over the years held on the record - particularly by the Czech label Supraphon . Dvorák's most famous opera - from the Wa ssernymphe 'Rusalka' (1890), falls in love with a mortal prince - several times (NB: Confuse Dvorák's' Rusalka 'not the' Rusalka'-opera Russian composer Alexander Dargomyschskij) .

The Electrola made almost half a century with advertising had included the titles of operas and operettas, Rudolf Schock resulting from the 1962 music. These included, according to the ad also 'Rusalka' by Dvorak and 'The Dark Eyes' by Eugen d'Albert. I suspect both titles were mistakes, but it seems to me important enough to mention them here, as in shock (and Electrola / Emi) you never know really. For the time being limited my collection - which Dvorak 'Rusalka' concerns - the magnificent moon aria ('You prefer silver moon so pale'), by the short lived, lyric soprano Elfriede Trötschel in a recording by Joseph Keilberth from the year 1951 (see cover photo of the relief-labels) is sung incomparably beautiful. On 'YouTube' sings another great singer: Lucia Popp - they also died relatively young - the aria in Czech. Back to Rudolf Schock: what he started by Antonin Dvorak much more comfortable, were the eight 'Love Songs' (Op. 83) and processing of the seventh 'Humoresque' (Op. 101). sake of completeness, I note to the fact that the shock 'Love Songs' has also sung in the concert hall.

'Love Songs' Op. 83 (. € nr 486 284 KK Disc LP 'Songs by Antonin Dvorak and Richard Strauss' Rudolf Schock is accompanied on piano by Ivan Eröd Rec.. Berlin, 21.07.1972)

Antonin Dvorak has dealt a big part of his life laboriously with songs. In 1865 (He is 24 years old then), he writes - against the background of deeply-felt, personal experience - the music for a song cycle titled: 'cypress' . The cycle does not matter. But Dvorak holds him for so important that he continues to hone his melodies. Or in the years 1881 and 1882 he published - again ignored by the critics - two small, revised song collections as 'Six' and 'Vie r songs' and in 1887 - under the name 'cypress' (!) - a string quartet, which he used his music of the old cycle. A year later, the composer meets-vocal-music Dvorák but the wart Sch : eight songs on texts by the poet worked Gustav Pfleger-Moravsky (1833-1875 portret ze ) than Opus 83 under the general title 'Love Songs' an unexpected success. They speak, or rather sing, love happiness that seriously threatens to turn into love suffering. Of attraction and repulsion, of feverish desire, hope to meet love, the fear of 'bitt'ren vaginal' that 'so miserable and joyless makes' , has not grown. In 'You only expensive' , the last song, the singer dreams of, he can, in the form of a white swan on wings contribute to the beloved, to literally lose her forever in ('she pines' = the spirit of giving). I learned that I - only after the songs I had heard a few times - I was aware of her beauty. A too large Zeitinvestierung the way, was not, because the eight songs barely last a total e twas more than fifteen minutes.

Rudolf sings shock the songs in German, which, for the 'Love Songs' quite common (was?): Dvorak himself translated many of his songs from Czech to German . In the 'love songs' leaving the composer to translate the Poet Otilie Malybrok-Stieler (1836-1913) , had set to music for six years from the texts rather have (the 'Four Songs' from 1882). Rudolf Schock took the 'Love Songs' on 21 July 1972 € on disc and a day later songs by Richard Strauss. Shock is - in view of the host year - in the Strauss songs, very good voice. Antonin Dvorak in the songs, he is also, if he passes also sing in the high register only once has a certain vocal cumbersome. Against the artistic achievement as a whole, however, does not apply: Rudolf Schock feels in the tortured mind of an unhappy love people a dedication of a masterly: it is no exaggeration, is not at a distance and never seems mannered. The song singer shock (read 'RS sings Johannes Brahms' ) unchanged at great intuitive finding a precise, timeless and therefore always valid - balance between form and content, music and text. I repeat: if you have the opportunity to listen to, please, these songs a few times in a row, and the Dvorak melodies are always beautiful.

'Humoresque' Op. 101, No. 7: 'A small spring fashion':

Ua on Sony / Ariola CD 610 229 'Rudolf Schock, voice for millions' . Shock is accompanied by the Berlin Symphony Orchestra conducted by Dir FRIED WALTER . Recording: Berlin, 01.06.1966.

is after many rigorous music lovers this contagious spring manner as 're such a tasteless adaptation " a " seriously intentioned " composition: it was joined by Chopin, from which an etude to '' In a song sounds to me (chen!) ' was degraded: it was Bach and Schubert, whose music including on "kitschy Ave Mary " was reduced, and it happened to Beethoven, whose" Andante con moto 'converted from the Piano Sonata Op. 57 in a ' Hymn to the Night ' been had. And so it was seventh and Dvorák ' Humoresque ' given be. I would go astray (for how about the artists to go by, they sing such "commercial products"?) if I would come to this sneer to philosophize. I can not refrain, however, noted some 'product' is the result of serious edits respectable composers. Think for example of Charles Gounod (in relation to Bach) and Friedrich Silcher (which relates to Beethoven).

The eight 'Humoresque' be written in 1894 by Antonin Dvorak in New York and are in the first instance as cheerful ideas for piano thought. The famous violinist and composer Fritz Kreisler (1875-1962) arranged it for piano and (own) violin. Of the eight 'ideas' is above all the 'Humoresque No. 7 in total: Poco lento e grazioso' popular. Probably one of the first texts on their music is a New York street song that begins with the following rules: "Passengers will please refrain (= give up) / flushing toilet while the train from / is standing in the station, I love you ....' (try to sing sometimes. It does exactly the music quite like the sky falling love letter stems possibly from the railway hobby of composers). writes In 1932 the recently emigrated to America Austrians Lengsfeld Hans J. (1903-1979) a serious (!) Text to the melody. Music and lyrics appear in print. Also in Germany, Austria, from he probably under the proviso that the name of the (Jewish) poet text is deleted. In 1933 makes Harry Frommermann (Photo: 2nd from right) , member of the legendary 'Comedian Harmonists' for the group singing a new arrangement for violin and piano. Grows 'A small spring way (A little Maytime song)' to the big 'S Dvorak chlager'.

addition to Comedian Harmonists sing them eg Richard Tauber , Anneliese Rothenberger , Fritz Wunderlich and Rudolf Schock the song was on disc / CD has been held. The other day I heard again the observations of Wu nderlich (on 'YouTube') and shock (on CD). I highly recommend both versions, if such a song is sung so bright, could - I believe - no (r) in the appeal beyond everything, every beautiful moment in this - short - enjoy life fully!

Krijn de Lege, 11/09/2010 (October 2010: 'Rudolf Schock sings Hans Ebert / Hans Bethge' and November 2010: 'Rudolf Schock sings Heinz Erhardt' .

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SINGS Antonin DVORAK ANTONIN zingt DVORÁK

Antonin Dvorák 1841-1904

Rudolf Schock sings Leos Janacek, Bedrich Smetana, Antonin Dvorak and Oskar Nedbal.

Czech composers were part of Rudolf Schock's musical world and the provision of a Czech opera was at the beginning of Schock's versatile and long Gramm ofoonplaten career. Electrola producer Walter Legge traveled - after tipped to be - be gin 1946 specifically through Hanover to the 30-year-old Schock as "Hans 'in' Prodoná Nevêsta (Die verkauft Braut) ' of Bedrich Smetana - 1824-1884 (see photo) hear. Immediately after the performance gave Legge Electrola commissioned the manufacture of test shots ( see "RS sings Bizet '). Both Emi (record: 1955) and at Eurodisc (o ITHDRAWAL: 1963) CD's highlights are you it 'Die verkauft Braut' with Rudolf Schock available. In due course I hope to detail his plight and Smetana 'Braut' return.

Va. n Leos Janacek (1854-1928) Rudolf Schock sang in 1938 at the "State Theater Braunschweig 'the role of ' Jaca K mud ', the violent lover of 'Jenufa'. exist - to my knowledge - no recordings of this opera with Schock.

In a 966 Rudolf Schock worked on Eurodisc as Boleslaw Baranski ("Bolo") participated in an abbreviated performance of the operetta "Krev Polska (Poland Blut) ' of Oskar Nedbal (1874-1930) . For unknown reasons or because they simply overlooked the inclusion has seen the uptake by Eurodisc never released on CD. Only Hamburger Archiv für Gesangskunst ' has C D copies of the "Poland Blut' -LP, which individuals can order from the archive. Oskar Nedbal was a music student of Antonin Dvorak , with whom he remained a lifelong friend. Also on Nedbal will in the future I come back, because 'Poland Blut' is interesting to rethink the head to be seen.


Antonin Dvorak (1841-1904)
Little Antonin grows up - surrounded by butchers - in an inn on the Vltava: his grandfather was a butcher, butcher and his father, he and his four brothers are also butcher: "As the only composers of all ... he could slaughter a cow and the meat fillet and sausages" (Uwe Kraemer - Philips Classic Productions 1993). The village schoolmaster (teacher does not deserve a statue?) Learns to play violin and soon he strokes eagerly away, when the family inn dancing is. Antonin continues proficient in music, makes - in his native Bohemia officially bilingual people spoke mostly Czech - that he should learn to speak German to travel to Prague for a professional music training to follow. He composes, organist, teaches music (so to Oskar Nedbal), but earns enough for his livelihood and much needed piano now. In entertainment theaters and orchestras he klust. But then - he is 34 years old - is in a music competition by Antonin Dvorák Johannes Brahms as (kindred spirit) composer discovered. Compose commands, direct requests to come in suddenly and the money flows. Nine years later, Dv Orak a first concert tour of England. His success is so enormous, that eight would follow. But between the cheers keeps Antonin Dvorák ordinary "a simple farmer from Bohemia" (Bruno Gousset), who like at home, with friends in the village pub one card explains, pigeon breeding and addicted to all that with trains and their schedules to do.

in 1891 reached Dvorák status of glory in the 'Old World' and in 1892 he sails - by invitation - with the family, plus household star to the 'New' to management activities exempted Director of the newly founded Conservatory New York. Dvorak also there celebrating triumphs. But he comes almost exclusively from his home to professional duties. In the nightlife - in the musical - he rarely sees. For Dvorak, only the family, steamships, he is now far more interesting than trains starting to take off, and the music. In America emerged ninth and last symphony ( "Aus der Neuen Welt 'On. 95) and a cycle of 8 ' Humoresques" (Op. 101) , the 7th (see below) and widely in many ways has become known.

Rudolf Schock sings Antonin Dvorák

Dvorak wrote some 10 operas, the first in 1870 ( 'Alfred' ), the last in 1902/1903 ( "Armida" ). Of this - especially the Czech Supraphon label - the majority over the years on the plaa t recorded. Dvorak's most famous opera - about the nix 'Rusalka' (1890), who falls in love with a mortal prince - even several times (Note: Dvorak's 'Rusalka' Please do not be confused with the opera of Russian composer Alexander Dargomyschskij)

Electrola advertised in 1962 with the titles of all operas and operettas, Rudolf Schock which until then had recorded music. In between were also "Rusalka" by Dvorak and "Die Toten Augen" of Eugen d'Albert. I suspect that both titles were mistakes, but it seems important enough to mention it here anyway just because you never know. Initially limited my v GATHER - what Dvorak's 'Rusalka' concerned - to the beautiful Mon aria ('Du lieber Mond so silberzart ") , which died young, lyric soprano Elfriede Trötschel in a complete recording by Joseph Keilberth unparalleled sung in 1951. On "YouTube" Lucia Popp sings the phenomenal - they also died relatively young - Rusalka's aria in Czech.

What Rudolf Schock at least put Antonin Dvorak took were the eight "Liebeslieder" (Rev. 83) and a vocal adaptation of the seventh ' Humoresque " (Rev. 101). sake of completeness, I note that Schock Dvorak's 'Liebeslieder' also sang in the concert hall.

'Liebeslieder' On. 83 (Eurodisc LP No. 486284 KK "Lieder von Antonin Dvorák and Richard Strauss' Rudolf Schock is on the piano by IVAN Erode . Rec.: Berlin 1921 July 1972).

Antonin Dvorák is a large part of his life with his songs in the weather. Already in 1865 (Dvorak than 24 years) he writes - in the context of deeply felt personal experience - the music for a song cycle titled: 'Zypressen' . The cycle does not start. But Dvorak is it so important that he continues to refine the music. In res p. 1881 and 1882, he published - again ignored by the critics - two beams as revised 'Sechs -' and 'Vier Lieder in 1887 - under the name ' Zypressen (!) " - a string quartet, which he music of the old cycle are recycled. A year later shoot the composer of vocal music, but Dvorak's eye: Eight edit to songs on texts by the poet Gustav Pfleger-Moravsky (1833-1875 - see portrait ) as Dvorak's Opus 83 in the Name 'Liebeslieder' suddenly shoot success: they are about love, happiness, which seriously threatens to turn into love. About attracting and repelling, feverishly about longing, about hope of love fulfilled, not cope with the fear 'bitter divorce' that 'is so miserable and joyless. In Du Ego Consultant ", the last song, the singer dreams into the shape of a white swan wings on his beloved bear to literally forever losing her (verhauchend '= the spirit of giving). I had the experience that I - after the multiple songs times to have heard - I was aware of the beauty. An excessive time investment that did not was because the last eight songs together just over a quarter.

Rudolf Schock singing the songs in German, what the 'Liebeslieder' practice is (was?): Dvorak himself translated many of his songs from Czech into German . In 'Liebeslieder' showed that over to the composer Otilie Malybrok-Stieler (1836-1913) , from whom he had four poems (the Four Lieder of 1882) had put to music. Rudolf Schock took the 'Liebeslieder' on July 21, 1972 for Eurodisc and one day later songs by Richard Strauss. Schock is - the record year taken into account - in the Strauss songs very good voice. The Antonin Dvorak songs that even he, though he occasionally by a certain roughness around vocal singing. But if all falls on the manner of Rudolf Schock at the tortured mind of an unhappy love man kind does not matter to things: the songs singer Schock (check also: 'RS sings Johannes Brahms ) overanderd superior in intuitive finding an accurate and timeless balance between form and content, between music and text. Schock is no exaggeration, is not remote and never mannered, but the emotions portrayed in the songs with controlled abandon. I repeat a few times listening to the songs and they are getting better.

"Humoresque" Op. 101, No. 7: "Eine kleine Frühlings Weise" ( Yahoo to Sony CD: No 610229 "Rudolf Schock, Stimme für Millionen. Schock is accompanied by the Berliner Symphoniker dir. FRIED WALTER . Rec. Berlin, June 1, 1966)

Some harsh music, this catchy spring song as another "tawdry adaptation" a "heartfelt" composition: It happened to Chopin, of whom one etude to "tune" "In mir klingt ein Lied" was demoted, the occurrence Bach and Schubert, whose music to "kitschy Ave Maria's" were impaired and passed Beethoven, whose "Andante con moto ' from the piano sonata Op. 57 to "Hymne an die Nacht ' was transformed. And such was the Dvorak's seventh 'Humoresque' also . I would be side-tracked perform (for how to judge artists who do such "commercial products" sing?), If I have this nose pick would continue to philosophize, but I can not fail to recall that many a product 'was the result of serious operations by reputable composers such as Charles Gounod (Bach) and Friedrich Silcher (Beethoven).
The eight 'Humoresques' in 1894 by Antonin Dvorak in New York written and are primarily intended as a short, cheerful instrumental ideas for piano. The famous violinist and composer Fritz Kreisler (1875-1962) and edited them for piano (his own) violin. Of the eight 'ideas' is particularly "Humoresque Nr. Ges in 7: Grazioso e poco lento " popular. Probably one of the first texts to the music of which is a New York street song, which begins with the lines: 'Passengers willing please chorus (= refrain from) / from flushing toilets while the train / is standing in the station, I love you ....' (try not to sing the musical beats like a sore thumb. The rather out of the sky falling love declaration Who will know its origin in the train-hobby of the composer) . In 1932, the recently emigrated to America Austrian Hans J. Lengsfelder (1903-1979) a serious (!) Text to the melody. Music and text v erschijnen in printed form. In Germany / Austria, but with the restriction that the name of the (Jewish) writer is removed. In 1933 makes Harr y Fromm Erman (photo: 2nd from right) , member of famous "Comedian Harmonists" for the singing group a new arrangement for violin and piano. This expands "Eine kleine Frühlings Weise (A little Maytime-Song)" into a big 'Dvorák-Schlager.

Besides the "Comedian Harmonists" the song later sung and at the plate put through Yahoo Richard Tauber, Anneliese Rothenberger, Fr itz Wunderlich e n Rudol f Schock. Recently I heard again once the performances of Wunderlich (on "YouTube") and Schock (on CD) and I highly recommend both versions for you: When a song is sung so bright, could - I think - no one runs to avoid the call of each beautiful moment in this - short - to fully enjoy life!

Krijn de Blank, September 11, 2010

In October 2010 follows: 'Rudolf Schock sings Hans Ebert / Hans Bethge' in November 2010 : 'Rudolf Schock sings Heinz Erhardt.

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AdelesWelt verwimpelt

My first market is getting closer, yet less than 3 weeks, biting
The decoration of the state I'm now a me pennant sewn:

Hach'm already excited and then go again on my assembly line. ;-) LG
Ute

Healthy Low Fat Low Cal Coffee Cake

A dream in pink

To 6 Birthday of my niece was a wish to Princess in Pink:
I thought, bags, a lady of any age always use. ;-)

Embroidery "Seven Beauties" by Tausendschön
LG Ute

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GRRRRRR

I think yes, that monsters are so grrrrrrrimmig because they are obviously very hungry.

Anyway, I had at the GRRRR from the "Munsters " stick of the series Hamburger love somehow think of stomach growl.
And that in turn adapted to the bib, which I embroider degree in Series:


A former colleague used to say that hunger does evil. I can only confirm.
;-) Have a nice weekend, enjoys the summer again!
LG Ute

Misdiagnosis Of Autism

Short call from the Nähstübchen

I feel a bit of running before level as on an assembly line, I'm grad in the hot market at the production stage for my 12.9., My sewing machine and the Sticki hot.
course I see you, then the collected works, some new ideas have emerged. I also fummel degree in the embroidery software, and that's also really fun!

Here is a small view of a gift for a friend who has birthday coming up and declaring to be a real fashion victim. O)



I hope they like it. And now am back! O)
you a beautiful Late summer!
LG Ute

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hearted bird

Here's my teaser Resolution:

I am a long time fan of the bird-material, both in light and in dark. And the subject I have now as an application on the equally adorable Westfalenstoffe "If a bird flew" work, something which makes Sticki also great!

The whole thing was an order for the birth of a small Jette:
U-stitching and matching pouch Edgar lavender elephant.

began here half the day again, the nursery school holidays from little one has gone, the big can laze around for 3 weeks longer.
LG Ute